Перечитывая классику

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The manual deals with L. Tolstoy’s identity as a writer and a man and gives a detailed analysis of ‘War and Peace’ on a wide range of issues. The author sheds new light on such traditional topics as the spiritual quest of Pierre Bezukhov and Andrei Bolkonsky as he dwells heavily on their religious meaning. Students will find answers to questions about Kutuzov and Napoleon, Tolstoy's views on history, the original genre of ‘War and Peace’, etc.

The book is addressed to high school students, applicants, college students, teachers, philologists, linguists and specialists, all those interested in Russian literature.

The books in the "Rereading the Classics" series contain a modern analysis of the works included in school literature programs. Spiritual, moral and religious aspects in theworks of Russian writers of the XIX–XX centuries are covered in details for the first time. The series is offered as a base of modern knowledge on Russian literature, which is necessary for passing school exams and entering any university.

This manual discusses the traditional "plots" and problems of the novel: Raskolnikov's theory, the essence of the crime, what is the hero's punishment.

Particular attention is paid to the analysis of the last episode of the "Epilogue", which refers to the "resurrection" of Raskolnikov - so far it has not been discussed enough in criticism and science.

For teachers of schools, lyceums and gymnasiums, students, high school students, applicants, specialists in philology, as well as a wide range of readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of the school literature curriculum. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The book deals with the art of the great Russian writer and playwright A.N. Ostrovsky. The authors shed light on what has come to be known as Ostrovsky theater which became an innovator and reformer of Russian stage art. It contains a profound literary and historical analysis of the writer's major plays (‘It’s Family Affair – We’ll Settle it Ourselves!’, ‘The Storm’, ‘The Forest’, ‘Without a Dowry’, ‘Talents and Admirers’).

For school, lyceum and gymnasium teachers, students, high school and college students, applicants, philologists and general readership.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of the school literature curriculum. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The manual gives a specific analysis of artistic and journalistic works by A.I. Solzhenitsyn. The novel ‘In the First Circle’ is presented in a broader context of Solzhenitsyn's short stories of 1960s – 1990s, ‘The Gulag Archipelago’ and the epic ‘The Red Wheel’. Special attention is paid to the writer’s religious and philosophical views that help to understand both his concept of the Russian national character, his historiosophy, and the principled social stand he took upon his return to Russia.

For school, lyceum and gymnasium teachers, high school and college students, university entrants, philology specialists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature necessary for high school students to pass school-leaving examinations and gain admission to any institution of higher learning.

In his book, the author draws the reader into ‘a neighborless country’ – Andrei Platonov’s unique artistic world. Most amazing heroes with an unprotected heart and anxiety for the humanity wander forever in this ‘fierce and beautiful world’. These truth-seekers, 20th-century Hamlets and Don Quixotes, are convinced that ‘a song is dearer than things, for it brings one human being closer to another’, that ‘the main thing is to sow souls in people.’ The return of the novel ‘Chevengur’ and the story ‘The Foundation Pit’ – Platonov's ‘banned’ prose of the 1920s – 1930s – allowed the researcher to uncover the writer’s dramatic path in its fullness and in the unity of personal destiny and history. ‘Without me, people are incomplete,’ said one of his main characters. Being a most active character in his own works, especially in the linguistic sphere, Platonov emerges as our contemporary and a co-author of most profound human insights into the tragic 20th century.

The book is addressed to teachers of Russian literature, high school students, university entrants, students, all admirers of Platonov’s ‘inadvertent’ and innermost Word.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

This book is devoted to the fable writing art of Ivan Andreevich Krylov, a great son of the Russian land. The author set himself the task of narrating a general story about fable, the history of the fable genre in Russia comparing Krylov's fables with those of his predecessors in an attempt to explain the uniqueness of Krylov's fables. The author also made an attempt to clarify and revise the current views of Krylov's fables being ‘simplistic’. The Russian fabulist was indeed concerned with ‘important issues’, and his fables fully bear out Nikolai Gogol’s opinion.

For teachers of schools, lyceums and gymnasiums, students, university entrants, philologists and generally for all admirers of Ivan Krylov.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

Boratynsky is the only one of Russian lyricists of genius to have more than a hundred books and articles written about his art of which many conspicuously misconstrue his poetry. It is especially difficult for the young reader to understand the poet’s works. This manual can help fill in the void. Without skirting the most difficult questions regarding the poet's art, the author speaks about them in an easy-to understand manner. He places much emphasis on analyzing the works that are included in school syllabi and university curricula. Despite its small volume, the book gives a holistic view of Boratynsky's poetry as it reveals for the first time the religious foundations of his worldview, philosophical lyrical poetry, as well as the national underpinnings of his art, the connection of this European educated poet with his native land. Being the first literary work on Boratynsky, it is directly addressed to teachers of schools, lyceums and gymnasiums, students and university and college entrants.

It will also be interesting for specialists in philology and every lover of Russian poetry.

This book contains a broad analysis of Old Russian literary monuments dedicated to Russian literature of the 11th — early 18th centuries. The collection is based on the work of the department of ancient Slavic literature in the A.M. Gorky Institute of World Literature of the Russian Academy of Sciences and teachers of Moscow State University.

The book is meant for school teachers, high school students, university entrants, college students, as well as to all lovers of ancient literature.

In this book, well-known scientists analyze works that were recently included in the school curriculum. Readers will find it useful reading the analysis of the novel ‘We’ by E. Zamyatin, prose by A.N. Tolstoy, the works of A. Platonov, ‘The Luzhin Defense’ and ‘The Circle’ by V. Nabokov.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. This book describes the personality and fate of Zamyatin — one of the most interesting writers of the 20th century. It covers his creative behavior, his disrespect towards any authority. The book focuses on his ‘We’ novel and does not skip its political aspects banned in the Soviet period. The author focuses on the analysis of the psychological, philosophical, historiosophical and artistic discoveries of Zamyatin.

For teachers of schools, lyceums and gymnasiums, students, high school students, university entrants, philologists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The textbook covers a number of major names and works of foreign literature from the school curriculum. With all the vastness of the period, the five offered essays represent a change in the main genres and styles from the Renaissance to the Enlightenment. The book traces the evolution of literature, starting with genres that mark the collapse of the humanist utopia, the tragedies of Shakespeare and the novel of Cervantes. It continues with the satirical comedy of Moliere and the enlightenment novel by Defoe and Swift. Finally, it discusses Goethe's work and his great book Faust, which assesses the renewed character of culture through one of the key images of modern times.

For school, lyceums and gymnasium teachers, high school and college students, university entrants, philology specialists and a wide range of readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. In this manual, a modern critic re-reads the Griboyedov comedy. Since Russian classical literature in the spiritual basis is traditionally Christ-centered, the image of Christ is invisibly present in the work and there is that unshakable, absolute reference point which should be considered when analyzing the images of characters, their characters and deeds. Referring to the text of the comedy and the biography of Griboyedov, the author proves that the new reading of the comedy corresponds to the true deep design of the author in his timeless work ‘Woe from Wit’.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The title of this book (‘To Each According to Their Faith’) expresses the very essence of the proposed reading of The Master and Margarita. The author draws the reader into a leisurely journey through that ‘labyrinth of cohesions’, which, by definition of L. Tolstoy, is every true artistic work, especially such a complex one as this Bulgakov novel. The artistic and philosophical concept of M. Bulgakov's main book is viewed in comparison with other major phenomena of Russian literature of the 20th century — in particular, with the ‘Blue Book’ of M. Zoshchenko, in which the motley ‘klopovnik’ of the Soviet NEP and post-NEP life, as in Bulgakov’s novel, is depicted against the background of world history.

The book is addressed to teachers of Russian literature, high school students, university entrants, students, as well as all admirers of Bulgakov.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. This book is the first monographic study of the famous modern prose writer and publicist's works. The fact that Georgi Vladimov is a ‘living classic’ is not contested by anybody. But what book sparkled this belief? Some will say it was the ‘The General and His Army’ — the best Russian novel that received the Booker Prize in 1995. Others will remember ‘Three Minutes of Silence’ — the last book before the author was forced into silence and exile. Some will say that it was ‘Faithful Ruslan’, because it made the author leave the ranks of Soviet writers, and in the end the USSR as well. Many, however, felt his first novel, ‘The Great Ore,’ already conveyed the mastership of the writer.

For school, lyceums and gymnasium teachers, high school and college students, university entrants, philology specialists.

The manual is devoted to the work of L. Andreyev, the ‘master of thoughts’ of the Russian pre-revolution intelligentsia, the artist whose almost every new work became ‘an information excuse’ for heated literary and critical debates.

For school, lyceum and gymnasium teachers, high school students, university entrants, philology specialists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. This textbook considers the features of A. Fet's lyrics, which stand at the junction of the Pushkin era traditions and the contemporaries' future aspirations to symbolism. The author gives a large amount of material from the history of romance, elegies, and anthological poetry. The main aim of the author is to show Fet's innovative essence, his individual contribution to the development of Russian and world lyric poetry.

For high school students, university entrants, college students, teachers, philologists, and for all lovers of poetry.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. The author of this book set himself the task of investigating Pushkin's poetry as a single phenomenon. For the first time, he introduced the definition of Pushkin's creative work, first of all his poetry, as the ‘spiritual biography’ of the poet, not only showing the facts, but also reflecting the real process of life. The space of this process is time, the main collision is the relationship between Pushkin as a human and Pushking as an art genius. The central subject is the problem of higher human values, ‘ageless truths.’

For teachers of schools, lyceums and gymnasiums, students, high school students, university entrants, philology specialists and a wide range of enlightened readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The author of this book sees his task in viewing Gorky's 1920s-1930s works in the context of Russian literature of the period and commparing it with the artistic discoveries of his great contemporaries, primarily V. Nabokov and B. Pasternak. A separate chapter is devoted to the writer's artistic world, the originality of his realism, the concept of personality, the hero and the anti-hero. The main attention is paid to the analysis of works that are part of the program for those entering the humanitarian faculties of universities.

The book is addressed primarily to high school students and university entrants. However, high school, gymnasium, lyceum teachers and philologists who study the history of the Russian 20th century literature will find it an interesting read.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The manual deals with N.A. Zabolotsky’s intense moral and spiritual quest, the unique nature of his aesthetic concept, his formulation and solution of universal human questions of life and death, truth and beauty, good and evil. Much attention is paid to the process of the poet’s formation of his philosophical world outlook, his encounter with science and K.E. Tsiolkovsky’s ideas. Noting the innovative nature of Zabolotsky's poetry, the author traces its connection with the tradition of 18th and 19th century Russian philosophical lyrics and recreates the mental attitude of the artist whose influence is strongly felt in the 20th century.

For teachers of schools, lyceums and gymnasiums, students, senior pupils, entrants and philologists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary to high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The book contains the analysis of Gogol’s main works – the comedy ‘The Inspector General’ and the poem ‘Dead Souls’. It considers in detail the fate of the second volume and reveals features of Gogol's poetics, covering those aspects of the writer's biography and creativity that were rarely addressed by pre-revolutionary and Soviet literary critique: his book ‘Selected Passages from Correspondence with Friends’, ‘A Trip to Jerusalem, “Trips to Optina Pustyn”. The author recreates the spiritual and moral appearance of Gogol as a writer and a person.

The book is addressed to high school students, applicants, students, teachers of literature, philologists and all those who are interested in Russian literature.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary to high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The manual analyzes the works by the greatest masters of 1960s-1990s Russian military prose who became an organic part of the current school curricula — K. Simonov, Yu. Bondarev, V. Astafyev, K. Vorobiev, G. Baklanov, V. Bogomolov. The reader will undoubtedly find it useful to get acquainted with the analysis of the short stories and novelettes by V. Nekrasov, A. Platonov, M. Sholokhov, with the process of approximating through the artistic word toward the full truth about man at war, about his courage, sorrow of loss and nobleness. Russian military prose will appear here as a very dynamic system of texts with complex interrelations, volatile narrative structures and vivid creative individualities. The book shows the interaction between war prose and the overall literary process of the 60s – 90s.

For teachers of schools, lyceums and gymnasiums, students, high school students, applicants, philologists and a wide range of readers.

Ivan Goncharov's autobiographical novel ‘The Extraordinary Story’, dated 1875-1876, partially 1878-1879, is almost unknown to the modern reader. The storyline of these highly interesting memoirs is devoted to the creative conflict between Goncharov and Turgenev.

For a wide range of readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary to high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

The manual is devoted to the poetry of N.M. Rubtsov, a major Russian lyricist of the second half of the 20th century, which is rooted in the national classical and folklore tradition. It gives an outline of the poet’s life and creative path, examines the features of his artistic world that determine the main themes and motifs of the lyrics, characterizes the genre and style peculiarity of his poetry and analyzes the most significant of his poems.

For teachers of schools, lyceums and gymnasiums, high school students, university entrants, students of philology and a wide range of readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary to high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

This manual is devoted to the creative work of N.S. Leskov who was, in Maxim Gorky’s words, ‘the most original Russian writer’. The introductory chapter gives an idea of Leskov’s difficult literary fate, specific problems of his art and the vivid original style of his works. In the other chapters, the author analyzes the writer’s most popular short stories and novelettes – ‘The Enchanted Wanderer’, ‘Iron Will’, ‘The Tale of the Cross-eyes Lefty from Tula and the Steel Flea’, ‘Toupee Artist’.

For teachers of schools, lyceums and gymnasiums, students, senior pupils, entrants and philologists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary to high school students to pass school-leaving examinations and to gain admission to any institution of higher learning.

In this book, the reader will find under one cover two issues of the ‘Rereading the Classics’ series. One of them analyzes the art of poets from among those who defined the face of Russian lyric poetry from the pre-October period to the mid twentieth century. Special attention is paid to the creations by the two most illustrious Silver Age poets – Alexander Blok and Anna Akhmatova. The other issue contains articles about poets whose artistic gift revealed itself vividly later on in the post-war decades.

For teachers of schools, lyceums and gymnasiums, high school students, university entrants, students, philologists, and all lovers of Russian literature.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. The author of this manual has re-read such great works of Russian literary classics as ‘Eugene Onegin’ by Pushkin, ‘A Hero of Our Time’ and ‘Death of the Poet’ by Lermontov, ‘Dead Souls’ by Gogol, ‘Hunter's Notes’, the novella ‘Asya’ by Turgenev, Goncharov's ‘The Precipice’, Dostoyevsky's ‘Poor Folk’, ‘Notes from Underground’ and ‘The Brothers Karamazov’, Chekhov's ‘The Death of a Government Clerk.’
For teachers of schools, lyceums and gymnasiums, students, senior pupils, entrants, philologists.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. This book is dedicated to the art of Boris L. Pasternak - the world’s most studied 20th century Russian poet. His lyrical poems belong to the heights of poetry, his novel ‘Doctor Zhivago’ is the most popular Russian novel of this century and his translations of Shakespeare, Goethe, French and Georgian poets are considered to be second to none. The author also tells about the Nobel Prize laureate’s extraordinary personality and complex life path. The book is addressed to teachers of schools, lyceums, gymnasiums, high school students, university entrants, students, specialists in philology and everyone who loves Pasternak's work.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. The title of this book goes back to the well-known formula of O. Mandelstam who often said that an artiste’s death is not accidental, that it is not only the last act of the artiste's life, but also his ‘last creative act’, and more than that – it is as it were ‘the source of this creativity, its teleological reason.’ This formula may seem to be just a beautiful metaphor but when applied to the poet himself it acquires an almost literal meaning. Analyzing Mandelstam’s work of the last period, the author proceeds from the premise that the poet not only predicted the tragic end of his life path in his later poems but he also predetermined it. The book focuses on considering the artiste's relationship with the totalitarian regime, unknown to the previous historical epochs.
For teachers of schools and gymnasiums, high school students, applicants, philologists as well as all literature lovers.

The book contains a detailed analysis of the works that are incorporated in the college and university curricula for those entering humanities faculties. At the same time, it gives a description of Mikhail Lermontov as a human and creative individual and defines the features of his worldview and artistic manner, providing the main milestones of the poet’s life and creative path. The book also discusses the aspects of Lermontov's biography and art that were rarely dealt with by Soviet literary critics such as his attitude to religion, domestic behavior, certain weaknesses of classically Lermontovian works, etc. The manual is addressed to high school students, applicants, students and teachers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. In his book, the author considers both the epic and lyrical poetry of Nekrasov, analyzes his central works, their (sometimes hidden) meaning as well as features of his genre, style and verse forms. The manual is addressed to high school students, applicants, students and teachers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. The manual is devoted to the formation of Marina Tsvetaeva’s poetic world. It focuses on the evolution of Tsvetaeva in the period between 1908 and 1921 – those years saw the foundations of the poet's world laid down. The book provides insights into Tsvetaeva’s ‘Moscow poetics’ which in some ways echoes St. Petersburg acmeism as it traces the formation of the ‘lyrical I’ and the ‘Moscow chronotope’ of the poet - everything that influenced the art of the mature Tsvetaeva and made her a unique phenomenon not only in Russian but also world literature.
For students, schoolchildren, university entrants, university and school teachers, all those who are interested in Tsvetaeva's art.

The books of the series ‘Rereading the Classics’ contain a modern analysis of works that are part of school curricula in literature.
For the first time, the spiritual, moral and religious aspects of the work of Russian writers of the 19th and 20th centuries are thoroughly elucidated. The series is offered as the basis of modern knowledge of Russian literature, necessary for the passing of school examinations and admission to any university. Analyzing the art of 70s-80s émigré prosaists, the author talks about the origins of the ‘third wave’ of the Russian Diaspora, examines the historical background and artistic features of the literary works by all the generations of 70s-80s émigrés writers (from V.P. Nekrasov to Sasha Sokolova), identifies the main directions of their writings and characterizes its themes and genre peculiarity.
For teachers of schools, lyceums and gymnasiums, high school students, students, specialists in philology and lovers of Russian literature.

This book offers a new reading of Alexander Pushkin’s ‘The Captain's Daughter’. The well-known literary critic Yu.M. Lotman rightly remarked: What’s happening with ‘The Captain's Daughter’ is the same as what happened to such works as Cervantes’s ‘Don Quixote’: the novel being too serious even for an adult reader, it has been transferred to the category of children’s books.’ The manual is addressed to high school students, applicants, students and teachers.

Which ancient yet ever-living story does the novel about the hopes, delusions and disappointments of Alexander Aduyev, Ivan Goncharov’s main character, remind of? Who is Ilya Ilyich Oblomov – a patriarchal master or a Russian Don Quixote? Why did the writer call his ‘The Precipice’ ‘an epic of love’? And with what purpose does the Russian ship ‘Pallada’ prowl the world ocean? These and many other questions get answered in this book. The author offers a new reading of ‘A Common Story’. ‘Oblomov’ and ‘The Precipice’, as well as his travelogue ‘Frigate Pallada’ based on the materials of his round-the-world voyage from Kronstadt to Japan and his subsequent return to St. Petersburg by land across Siberia. The book ends with the chapter about ‘The Extraordinary Story’ - an autobiographical novel in which Goncharov told about the creation of his novels, especially ‘The Precipice’. The book is addressed to teachers of schools, lyceums and gymnasiums, to students of philology and to all admirers of Goncharov.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. This work is devoted to Dostoevsky’s three novels – ‘Crime and Punishment’, ‘The Idiot’ and ‘The Brothers Karamazov’. In the first chapter (on ‘Crime and Punishment’), the author's attention is drawn to his central character - Rodion Raskolnikov. The contact between the consciousness of the protagonist and that of other characters reveals the basis of the concept of man in Dostoevsky's work: ‘everyone is guilty for everybody and everything’. The second chapter dealing with the novel ‘The Idiot’ also examines the problem of guilt in Dostoevsky’s concept of a personality. The third chapter analyzes the meaning of the poem about the great inquisitor in ‘The Brothers Karamazov’ - the ideological center of the writer's artistic world. The conversation about the three novels is united by one common problem – that of the personality in the work of Dostoevsky as an artist and a thinker.
For teachers of schools, lyceums and gymnasiums, students, high school students, applicants, philologists, and for a wide range of readers.

Books in the ‘Rereading the Classics’ series give a modern analysis of the works that form part of school literature curricula. This is the first attempt to provide a detailed insight into the spiritual, moral and religious aspects of the art of 19th and 20th century Russian writers. The series is offered as the basis of modern knowledge about Russian literature, which is necessary for high school students to pass school-leaving examinations and to gain admission to any institution of higher learning. The book analyzes universal spiritual, moral, ethical, and aesthetic values of Russian peasantry in the works of F.A. Abramov, V.I. Belov, V.M. Shukshin, V.G. Rasputin, as well as their immediate predecessors, such as E.I. Zamyatin and A.P. Platonov. A special chapter is devoted to the origins of our country's ‘rural’ prose of our century in Russian classical literature, from N.M. Karamzin, A.S. Pushkin, D.V. Grigorovich and I.S. Turgenev to L.N. Tolstoy, F.M. Dostoevsky, G.I. Uspensky and A.P. Chekhov.
For school, lyceum and gymnasium teachers, high school and college students, university entrants, philology specialists.